In continuing the series of calling out a few scenes I’ve seen in my lifetime that truly stand out, here are 3 more. These are not simply scenes I remember — they truly had a profound impact on me and on how I view the art of filmmaking.
This one is all about the ending of a film. ***SPOILERS AHEAD!!***
THE FLY (Dir. David Cronenberg) - this film came out when I was in junior high -- and girl crazy. So when I saw this, I was all caught up in the romance and destroyed by its heartbreaking ending. What's funny is I really didn't care for Jeff Goldblum's character (Seth Brundle) -- until the very last minutes of the film, when he puts the shotgun to his head. So fucking tragic. I didn't want him to die. I wanted them to live happily ever after. And after it happens, there's no extra 5-10 minutes of unnecessary epilogue bookend shit. It just fades to black. The story is done. What an epic way to end this masterpiece.
LOST IN TRANSLATION (dir. Sofia Coppola) - Just when you think you're going to see another romance film, comes along this amazing gem. We want our leads to connect, and be together; and yet know it can't happen. So how do you end the film? The way Coppola does it (and according to some reports with the aid of Bill Murray's improv), it doesn't get any better. It's understated. Not so tragic. And in fact, it's hopeful.
THE THING (dir. John Carpenter) - It would be remiss for me to do an entry like this and not mention a Carpenter ending. His downbeat (yet hopeful) endings totally blew my mind as a kid. There was never anyone really riding off into the sunset -- and at an early age, I really dug his bleak storytelling style. It rang true. I could pick a ton of endings from his films (PRINCE OF DARKNESS, ESCAPE FROM NEW YORK, ASSAULT ON PRECINCT 13)...and, of course, this one. So simple. So powerful. So open ended. Love it.
The best part of a Carpenter ending is when it CUTS TO BLACK. Sadly, I couldn't find any video to let you experience that exact moment. Here's the closest I could find.
BLOW OUT (dir. Brian De Palma) - Okay so I'm cheating this time by sharing more than 3 films, because I can't mention a John Carpenter ending affecting me tremendously without mentioning how a 'De Palma CUT TO BLACK ending' is just as chilling and influential on my life. And none more powerful than this one. It wasn't happy. We are left devastated. Then the last scene happens which just crushes you. And then it ends.
For me, seeing BLOW OUT began a life long obsession with De Palma and how his CUT TO BLACK ending just fucking smacks you in the face (in the best of ways). It's very rare for me to experience such a visceral reaction to and ending as much as a De Palma film....save for Peter Weir.
Ok, cheating some more with 2 more films, since we're talking about Peter Weir now.
Peter Weir endings are fascinating. They can be both up or down, but again, his films end with some visceral, deeper punch to the gut. His movies really grab you by the collar and make you experience them. Both of these profoundly wrecked me: one with inspiration (DEAD POETS SOCIETY)...the other with hopelessness (GALLIPOLI).
DEAD POETS SOCIETY (dir. Peter Weir)
GALLIPOLI (dir. Peter Weir)