I'm an avid reader of screenwriter William Martell's BLUE BOOK SERIES on screenwriting. So color me shocked and totally humbled that today I discovered he included a section on HOW DO YOU WRITE A JOE SCHERMANN SONG in his book ACT 2 SECRETS. He uses the film to give examples of how to create conflict with characters, escalate dilemmas and move the story forward through song. Martell even admits to crying twice while watching the film.
'Joe Schermann Song' has a classic love triangle story with great songs and all the gritty real bits left out in Hollywood films. At times the film seems like Woody Allen's ANNIE HALL in the way it looks at relationships in a very real (and complicated way). The film manages to be both a big fun musical and an Indie film where things don't always end happily ever after - which is what makes it a stand out.
And he says this about the song number 'Moth To The Flame':
These dilemmas are often explored through song and dance - like the great audition number where both Evey and Summer sing the same song and we cut between them...and they even manage to do a great split screen duet! They end up singing on either side of Joe as he accompanies them on the piano in the audition room. This is a great musical number that dramatizes Joe's dilemma - and takes the audience inside the character so that *we* wonder which he will choose...and either way he's screwed.
So honored. Thanks Bill.
This is a show stopper thanks to the amazing live performances (no lip syncing going on) of Christina Rose and Debbie Williams and Joe Schermann's fierce piano playing.
Oh and people ask me how I did the transition the shot from Christina to Debbie and back again in the opening minutes (when the camera tracks behind the judge's head - see video around 00:26). It was an extremely difficult in-camera trick that I did manually with my slider. Without any motion control device I was just estimating where the camera framing would end up on what vocal...and I only got it right twice. Out of at least 12 takes, the shots in the film are the only ones where I nailed the timing.
You can view all the rest of the musical songs by clicking over to my VIMEO page.